Butter wave headboard finds

Why consider it: A strip of warm light hidden along the top edge of the wave panels is what makes the crests glow against the olive wall.

Before choosing: This is a bare flexible strip with no aluminium channel, and the power supply is sold separately. Hide it behind the panel edge, since the strip itself is not the finished look. Check the warm white against the butter-yellow panel.

Why consider it: A flexible curve lets you draw three even rounded crests onto a board before cutting, so the wave looks planned and not wobbly.

Before choosing: It is a drawing tool only. MDF panels, battens and a jigsaw for cutting are not included, and 24 in is shorter than a wall, so mark each crest in sections. Practise on scrap first.

Why consider it: Big soft shapes in rust, rose and chocolate on a cream ground pick up the bedding and warm the olive wall.

Before choosing: It is a canvas print, not a textured paper print, and the shapes differ from the image. The frame finish and size options are chosen on the listing, so check them against your wall. Not the exact artwork.

Why consider it: A slim brass light over the print gives it a gallery glow and avoids wiring a fixture into the wall.

Before choosing: Battery powered and rechargeable, with a remote, so it is not the plug-in or hardwired style. It is shorter than some frames, so check the width against your print. Choose the warm 2700K setting.

Why consider it: A rounded light-wood nightstand echoes the wave and keeps the bed corners soft.

Before choosing: One drawer and an open shelf, not the two-drawer drum shape shown, and the finish is a light oak look rather than white oak. Sold singly, so buy two. Check the height against your mattress.

Why consider it: A frosted glass mushroom lamp gives the nightstands a soft cream glow that sits well against the yellow panels.

Before choosing: Sold singly, so buy two. Cordless and rechargeable rather than plug-in, and the light has several colour settings, so pick the warm 2700K one for a butter-cream glow.

Why consider it: A white duvet with a wavy scalloped edge repeats the wave shape of the wall in fabric.

Before choosing: The contrasting trim is listed as a neutral, not the chocolate brown shown, and the scallop is a flange rather than a fine piped edge. Insert sold separately. Check the trim colour in the listing.

Why consider it: Two dusty-rose velvet cushions add a soft colour against the white bedding and the chocolate lumbar.

Before choosing: Covers only; inserts sold separately. The blush rose may read a little lighter or pinker than the dusty rose in the image, and they are 18 in rather than 20 in. Check the colour in daylight.

Why consider it: A deep brown waffle throw across the foot of the bed ties the bedding to the scalloped trim and the print.

Before choosing: Chunky chenille rather than the finer waffle weave shown, and 60 x 80 in is large, so fold it across the bed. Check the brown against your trim.

Why consider it: A big green and cream checkerboard rug gives the room its playful pattern and grounds the wood bed.

Before choosing: The green is darker than the olive in the image, the pile is a plush shag, and 5 x 7 ft is smaller than the rug shown under the whole bed. Check the size against your bed.

Why consider it: A round boucle pouf softens the checkerboard floor with a cream textured seat.

Before choosing: It is beige rather than cream, smaller than the pouf shown, and it arrives vacuum-packed and needs up to 72 hours to fully expand. Check the colour against the rug.

Why consider it: A tall fiddle-leaf fig in the window corner adds dark glossy leaves against the cream curtain.

Before choosing: Artificial, with a plain white planter instead of the ribbed cream pot shown. Add a ribbed pot if you want that detail.